Artist Statement

In addition to fascination with ancient ceramics and the natural world, my work references architecture that has emerged from our worldly cultures, particularly those from the distant past. I observe objects, environments, and buildings in the physical sense, but also observe them through literature and through digitized virtual environments. This inspiration reveals itself in my ceramic creations through various combinations of carving, sculpting, piercing, relief, and the painted image. Application of this influence often begins with detailed drawings that evolve into 3-dimensional work. While I am captivated by the rich traditions in pottery serving utility and function, I tend to classify more recent portions of my work as a combination of functional and sculptural. The vessel as I think of it, is a strong metaphor for the ritual preservation or containment of something precious.

As a devoted reader, I am constantly in awe of the power of language to cultivate imagination. Though language has its limits when imparting information or experience, it has had an enormous impact on the work I make, because it is a way to explore alternative realities otherwise not directly observable. I often imagine my work being from or being part of fantasized worlds. I believe that imagined realities can be as profound as the experience physical reality offers, or at least strong enough to impart an equal measure of inspiration. I have a great fascination with seeing ideas become reality. Careful attention to process and quality craftsmanship is my way of showing respect for the material.

Surface is as important and relevant to my work as is the form. They act in the service of one another. The transparent glazes I use highlight shallow relief decoration and sculpted elements. I often paint scenes from natural or constructed environments that have lulled me into some contemplative mood. With my work, I like to gently suggest introspection or contemplation while at ease. I recognize that physical objects and images in space can alter mood, tug at emotion and generate a felt presence. I try to draw the viewer away from existential distress and invite them to explore an experience of well-being.

Jason Piccoli